#160 LGBTQ&


My parents were told that I was mentally retarded.

I don’t know if it was the fam­i­ly doc­tor or the school coun­selor, but they def­i­nite­ly said I was men­tal­ly retard­ed (back when that term was acceptable).

I walked retarded-​like, as if I was going to fall over & I did not like play­ing sports (I was even afraid of the dodge ball) & I doo­dled & stared out the win­dow in class.

My dad would not stand for what he was told! He demand­ed a sec­ond opinion.

That expert said that I walked fun­ny because I was born with a sway back. He got me doing some exer­cis­es to cor­rect it. (I still don’t have the best pos­ture but peo­ple don’t laugh at me any­more.) He said I sim­ply don’t like sports. I’d rather be think­ing and draw­ing, which is why I stared out the win­dow and doo­dled. (Lat­er on that doo­dling turned into let­ter­ing & graph­ic design, but I do still over­think my lay­outs and logos…or maybe not.)

Point is, I know how it feels to be con­sid­ered dif­fer­ent. I was ridiculed, always picked last for sports (did­n’t mind that one bit), and was con­sid­ered the school nerd. I was dif­fer­ent and knew it. I had to deal with it. 

That’s why I am empa­thet­ic to any­one who is dif­fer­ent and has to deal with it. Among oth­ers, that includes the LGBTQ& com­mu­ni­ty which cel­e­brates their “dif­fer­ent­ness” every June — with pride.


June is LGBTQ& Pride Month 

That’s LGBTQ& for amper­sand fans. For every­one else it’s LGBTQ+ but it means the same exact thing. The plus sign is a just a sim­pli­fied amper­sand — see?

plus sign is just a stripped down ampersand

This Amper­Art piece was orig­i­nal­ly cre­at­ed in May or June 2020, but I got so involved in select­ing & posi­tion­ing the let­ters of the acronym, & then spend­ing lots of time research­ing the ori­gin of the flag & oth­er his­to­ry about LGBTQ&, along with relat­ed ter­mi­nol­o­gy, facts & feel­ings, that I told myself “to be con­tin­ued next year.” 

Then in 2021 I dis­cov­ered all sorts of new acronyms (includ­ing LGBTQIA& which is com­mon today, but also extend­ed ver­sions such as LGBTIQCAPGNGFNBA+) & a whole slew of gen­der icons (take a look at the back­ground of the art­work), think­ing I need­ed to start over with design. But I liked my orig­i­nal art­work, how every­thing fit, & the fact it was a spec­trum of exact­ly six col­ors, same as the cur­rent LGBTQ& flag. So what to do? After heavy con­sid­er­a­tion I had the “aha” idea: Leave the main art­work alone, but add the var­i­ous gen­der icons to the back­ground. (I chose from what appeared to be an author­i­ta­tive source. If any­one wants to sug­gest more or dif­fer­ent icons I’ll glad­ly con­sid­er mod­i­fy­ing the back­ground pat­tern. I feel it’s impor­tant to be rep­re­sent­ed accu­rate­ly & respect­ful­ly. Just leave a comment.) 

Well, you guessed it: it took awhile to make those revi­sions, then to write about them & what each sym­bol means, so half-​way into June 2021 I once again shelved this piece until this month, LGBTQ& Pride Month 2022. I got back to work on the edi­to­r­i­al in mid-​May so it could be released as my May 2022 Amper­Art (which it was, today the 30th). Prob­lem was I still had the sto­ry to write & a ton of ref­er­ence mate­r­i­al to sort through, and that would take days.

History of the Flag

The orig­i­nal con­cept for the LGBT flag, designed by Gilbert Bak­er in 1978.

Picture now & 1000 words later

A pic­ture is worth a thou­sand words, they say, so I’ve decid­ed to post the pic­ture now — the final Amper­Art design #160 LGBTQ& — & con­tin­ue adding to this sto­ry as I write about each topic:

  • (post­ed 5/​30/​22) My empa­thy with those who are “not main­stream,” because I’ve always been a lit­tle dif­fer­ent than my peers (even diag­nosed as men­tal­ly retard­ed, when that term was polit­i­cal­ly cor­rect). I’m straight, but I have a lot of gay (& oth­er gen­ders, I’m sure) friends & tru­ly enjoy their com­pa­ny. I under­stand what it’s like to be con­sid­ered “dif­fer­ent.”
  • (post­ed 6/​15/​22) The his­to­ry of the first Rain­bow Flag, which is inter­est­ing & a bit amus­ing why it had to be changed slightly. 
  • The grad­ual accep­tance lead­ing up to — final­ly — the Supreme Court “affirm­ing that every human being should be treat­ed with respect & dignity.”
  • A look at the oth­er sexual-​orientation terms & icons.
  • Final­ly, my one & only rant against the LGBTQ& com­mu­ni­ty, which has to do with my spe­cial­ty, brand identity.

I can’t promise when I’ll get to these top­ics — this June or Pride Month next June, or some­where in between. But the issue & the peo­ple are impor­tant to me, so I will keep adding to the arti­cle right here. I will also send out a newslet­ter at the con­clu­sion of each topic.

The orig­i­nal con­cep­tu­al devel­op­ment for Amper­Art #160 LGBTQ&, 2020

Production notes for #160 LGBTQ&:
Original size: 20x30 inches

Programs: Adobe Illustrator
Fonts:
L: Benguiat Charisma
G: Dyer Arts & Crafts
B: Monoton
T: Poppl Residenz & Rockwell (modified)
Q: (custom)
Ampersand: Palatino (modified)
Credits:
Background image: deposit​pho​tos​.com (modified)
Original flag reference: https://​myfopin​ion​.word​press​.com/​2​0​1​9​/​0​6​/​2​3​/​h​i​s​t​o​r​y​-​o​f​-​t​h​e​-​p​r​i​d​e​-​f​l​ag/
Note: &” replaces “and” in most or all text, including quotations, headlines & titles.
Original flag reference:https://myfopinion.wordpress.com/2019/06/23/history-of-the-pride-flag/
You may repost the image & article. Please credit Amper​Art​.com.
To download a full-​size high-​resolution 11x17-​inch poster suitable for printing & framing, click on the image.

Visit DesimoneDesign.com

Chaz DeS­i­mone, design­er & typog­ra­ph­er, is the cre­ator of Amper­Art & own­er of Des­i­mone Design. He was adding ser­ifs to let­ters when he was just a lit­tle brat scrib­bling on walls. Now he’s a big brat & his entire career is design, so long as each project requires the most sophis­ti­cat­ed, log­i­cal, cap­ti­vat­ing results. Con­tact him at chaz@​desimonedesign.​com.

Thank you for sub­scrib­ing to Chaz’s per­son­al design project, Amper­Art. Please invite your friends — those who are fans of the fun & fab­u­lous amper­sand — to sub­scribe at amper​art​.com.

Chaz sez...
Want more?
Rants & raves mostly about design, sometimes about the universe.
An occasional bit of useful advice.
Read the blog:
des​i​monedesign​.com/​c​h​a​z​-​sez
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#181 Small Cheer & Great Welcome

181 Small Cheer & Great Welcome
#181 Small Cheer & Great Welcome
Click image to view full size or download poster for gallery-​quality printing & framing.
This is a high-​resolution pdf & may take a few minutes to download.
Find printing tips & framing ideas here.

Shakespeare said it best

Small cheer & great welcome make a merry feast.

This quote from William Shake­speare seems to be a per­fect Amper­Art phrase for Thanks­giv­ing. I’m not so sure it has such a rel­e­vant mean­ing in its orig­i­nal con­text (“The Com­e­dy of Errors”, Act 3 scene 1) but it sure does fit nice­ly as a piece of typo­graph­ic art with the amper­sand turkey as part of the quote.

Colorful words inspire colorful illustration

Wild turkey

As for “great wel­come,” that term inspired the col­or­ful feath­ers on the “amper­turkey.” The orig­i­nal illus­tra­tion (of which I used only the feath­ers) had a sub­dued palette of browns and grays. I start­ed adding col­ors to the feath­ers, then real­ized “great wel­come” should be just that: great! Inclu­sive of every­one — all col­ors, all sex­es, all shapes & sizes. All reli­gions as well, as Thanks­giv­ing is non-​denominational; that’s one rea­son I like this hol­i­day (besides the food). So I did a lit­tle research & start­ed over with the col­ors, includ­ing as many of the world’s skin tones as I could find & hope­ful­ly all the var­i­ous sex­u­al ori­en­ta­tion flag col­ors. Feath­ers are all dif­fer­ent sizes to begin with, so that part was easy. 

Small cheer” in the play’s dia­logue refers to the food & bev­er­age being served at the gath­er­ing, only to be upstaged by the cama­raderie of the peo­ple present. But let’s be hon­est: there’s no small spread & lack of liba­tion at Thanksgiving! 


Thankfulness cards for your table & other uses

Table setting with AmperArt Thankfulness Cards

My friend Jo has told me sev­er­al times that she enjoys print­ing & mak­ing Amper­Art place set­ting cards for the din­ner table. That inspired me to cre­ate a new design this year (pre­vi­ous cards were issued in 2011 & 2015), & it’s one where you can write your own Amper­Art phrase (see ideas below). 

These can be placed as tra­di­tion­al din­ner table set­tings & made into oth­er things such as greet­ing cards (with some cre­ative cut­ting & glu­ing) & gift tags.

There are two styles you can down­load: one bright & col­or­ful, sym­bol­iz­ing the inclu­sion of all col­ors & ori­en­ta­tions of the world’s peo­ples; & a sub­tle col­or scheme clos­er to a wild turkey. (I pre­fer the bright & col­or­ful ver­sion.) There’s an instruc­tion sheet you can down­load as well, detail­ing how to cut & fold the cards. 

Choose your style & download

There are four cards to a sheet. Print on stan­dard letter-​size or A4 sheets of card­stock (or reg­u­lar heavy paper).

Instructions

  1. Down­load the pdf file in your choice of design: full spec­trum col­or or sub­tle color.
  2. You can also down­load the cut­ting & fold­ing guide or just refer to image below.
  3. Cut along the red dashed lines. The ver­ti­cal & hor­i­zon­tal lines sep­a­rate the sheet into 4 cards. The curved cut lines allow the turkey feath­ers to pop out above the fold. You can cut along the arc as shown below, or for more detail, cut along the feath­er shapes, as shown in the pho­to above. An X‑acto knife works best.
  4. Score to make fold­ing easy & clean. Score along the blue dot­ted lines as shown in the guide. This is where the sol­id pur­ple meets the sol­id white on the print­ed cards. Do not score through the turkey feath­ers — you don’t want to fold these. A blunt instru­ment works best for scor­ing, such as a wood­en stir stick or paper clip. You can use any­thing that is not sharp enough to cut through the card.
  5. Fold the card over only along the blue dot­ted lines. Do not fold the feath­ers; leave them flat to extend above the fold. 
  6. Pinch the fold to keep it in place. Addi­tion­al­ly, you can use tape or string under­neath to keep the card from unfolding.
  7. Write your text to the left & right of the amper­sand. See some ideas below.

You can use these cards for oth­er things too, besides seat­ing place hold­ers. Place them around your liv­ing & work spaces to remind your­self and oth­ers of what we can be thank­ful for. Place one on your boss’s or co-​worker’s desk. Or on your teacher’s desk. Use them as note cards (write some­thing inside), or use just the front to paste onto a larg­er fold­ed card as a greet­ing card. Use them as gift tags. Car­ry some with you to fill in & hand out.

Thankful for ampersands & more ampersands 

Here are some ideas for your amper­sand “Thank­ful for…” phrases:

  • Peo­ple’s names & their out­stand­ing virtues: Uncle Gil & always will­ing to help out
  • Cou­ple’s names: Mike & Vio­la
  • Things that make you hap­py: my dog & cats, books & danc­ing, flow­ers & but­ter­flies
  • The neces­si­ties: food & shel­ter, friends & fam­i­ly, love & light
  • I per­son­al­ly am thank­ful for: artis­tic tal­ent & loy­al subscribers

Have a very happy Thanksgiving
full of small magnificent cheer
& great welcome. 


(Sorry for the edit, Bill.)


Production notes for #181 Small Cheer & Great Welcome:
Original size: 20x30 inches
Program: Adobe Illustrator
Font: Garamond
Ampersand: Garamond
Credits:
Illustration: deposit​pho​tos​.com (modified by Chaz DeSimone)
Background: deposit​pho​tos​.com
Quote: Shakespeare
Other credits as noted
Note: &” replaces “and” in most or all text, including quotations, headlines & titles.
You may repost the image & article. Please credit Amper​Art​.com.
To download a full-​size high-​resolution 11x17-​inch poster suitable for printing & framing, click on the image.

Chaz DeS­i­mone is the cre­ator of Amper­Art and own­er of Des­i­mone Design. He was adding ser­ifs to let­ters when he was just a lit­tle brat scrib­bling on walls. Now he’s a big brat and his entire career is design, so long as each project requires the most sophis­ti­cat­ed, log­i­cal, cap­ti­vat­ing results. Con­tact him at chaz@​desimonedesign.​com to dis­cuss your project, pick his brain, or just talk shop.


Chaz sez...

Who banned the ampersand?

Whoever thought up the syntax for Universal Resource Locators (URLs) was 100% coder & 0% copywriter. No foresight whatsoever. We can’t even use common punctuation in a URL except for the hyphen & underscore. It sure makes all the AmperArt URLs ugly & hard to understand—no ampersands allowed!
This is just one of the rants on my blog, chaz sez.
Rants & raves mostly about design, sometimes about the universe.
An occasional bit of useful advice.
Read the blog:

des​i​monedesign​.com/​c​h​a​z​-​sez
Desimone Design
Desimone Design