#27 Work & Play

Click image to view full-​size or download hi-​rez file for gallery-​quality printing and framing. This is a high-​resolution pdf & may take a few minutes to download. Find printing tips & framing ideas here.

Amper­Art #27, Work & Play, hon­ors the busi­ness lead­ers, employ­ees, farm­ers, trades­men and sole entre­pre­neurs that built Amer­i­ca. It also cel­e­brates the fun we have on this last hol­i­day of summer.

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#26 Reading Writing & Arithmetic


#26 Reading Writing & Arithmetic
Click to view full-​​​size or down­load hi-​​​rez image for gallery-​​​quality print­ing and framing.
This is a high-​​​resolution pdf & may take a few min­utes to download.
Find print­ing tips & fram­ing ideas here.

It seems today the 3 R’s should be replaced with the 3 C’s: 

Com­put­ers, Cal­cu­la­tors & Cellphones.

Ide­al­ly, it would be the 3 R’s + the 5 C’s. Take the big yel­low school­bus  OVER HERE  to read about that.

But what­ev­er the phrase is, there’s an amper­sand in it. The sym­bol in this edi­tion resem­bles a plus sign (for arith­metic of course) but I have a feel­ing it is still an amper­sand in abbre­vi­at­ed form. Here is an illus­tra­tion of my theory:

Start­ing with the typ­i­cal scrib­bled amper­sand, left, and evolv­ing through the “scrip­ti­er” ver­sion next to it  (which is the basis for sev­er­al amper­sands in script fonts) to the next two casu­al amper­sands in the mid­dle (which could dou­ble as plus signs) to the final mark which is a true plus sign — still mean­ing “et” or “and” — you see how I fig­ure the evolution.

Anoth­er the­o­ry, though forced and most like­ly incor­rect, is the clip­ping of the small area where the lines form a plus. This is only part of the “t” and does not include the “e” in the for­ma­tion of a true amper­sand, which is the lig­a­ture “et” mean­ing “and” in Latin:

Now to destroy my the­o­ry, the plus sign is called just that: “plus” which means “more” in Latin. So is it real­ly a hasti­ly scrib­bled ver­sion of the amper­sand or not? I have no choice but to stick to my own the­o­ry (fac­tor­ing in artis­tic license) so I may dis­play the plus sign as an amper­sand and issue this lat­est Amper­Art editon.


listen up!My first clue, in first grade

It was in first grade that I became wary of the school sys­tem. Or any author­i­ty at all.

Before I even start­ed kinder­garten I was enthralled with type. I remem­ber my dad point­ing out numer­als to me in books, and their shapes were embed­ded in my mind. I espe­cial­ly remem­ber the num­ber 4 because of my first warn­ing of “the system”:

In first grade we were prac­tic­ing writ­ing numer­als. Even as a kid I tried emu­lat­ing how things were done pro­fes­sion­al­ly, so I drew the num­ber 4 as I had seen on many print­ed pages, the top strokes meet­ing at an apex like this:

The next thing I knew, the crag­gy old teacher drew an X over my effort, stat­ing I did not draw the num­ber as instructed.

 

 Miss H —  — - (no won­der she was “Miss” — who would want to mar­ry her?) said I must draw the fig­ure accord­ing to the rules, like this:

or 

(I don’t remem­ber which and I don’t care — prob­a­bly the first.)

From that point on I was wary of all teach­ing, instruc­tions, opin­ions and espe­cial­ly rules and reg­u­la­tions. If I had “fol­lowed orders” and done what all the oth­er stu­dents were doing (which of course earned them straight A’s) I just might be wait­ing tables or mop­ping floors instead of design­ing cor­po­rate logos and best­selling books.

I have since always weighed what I heard and read, ran it through my own analy­sis, and thought inde­pen­dent­ly of the masses. 

Do I believe in rules? Yes. They are for those who won’t think intel­li­gent­ly for them­selves. I just wish there were less rules and more intel­li­gent people.


Pro­duc­tion notes for #26 Reading Writing & Arithmetic:
Orig­i­nal size: 20x30 inches
Pro­gram: Illustrator
Font: Century Schoolbook

#3 Black & White

3 Black & White


#3 Black & White
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This is a high-​resolution pdf & may take a few minutes to download.
Find printing tips & framing ideas here.

The basis of most design is black & white. Of initial sketches, anyway. (I always use a black pen & usually scribble on a white napkin.)

Black is my very favorite col­or — & yes, it is a col­or. So is white. How is it so that black & white are both col­ors, you ask? & what about the pop­u­lar (but erro­neous) the­o­ry that states black & white are not col­ors? Read “chaz sez” below.

Black & White, my third Amper­Art piece, is prob­a­bly when I decid­ed to cre­ate a series. One per month, more if inspi­ra­tion hits & time allows. [Update: As of April 2017 and the 100th issue, at least one Amper­Art edi­tion has been released per month, albeit some­times just min­utes before the cal­en­dar flips to a new month.]

Some edi­tions are full col­or, some grayscale, a few just black & white. Many con­tain an amper­sand that is custom-​drawn as part of the main image. Oth­ers fea­ture type to con­vey the char­ac­ter & mean­ing. Some rely on the amper­sand itself to car­ry the mes­sage. You can always see the cur­rent Amper­Art release on the home page of Amper​Art​.com. Or see them all here.

If you are inter­est­ed in the cre­ative process of each piece, scroll to the bot­tom & read the pro­duc­tion notes.

Please tell your friends (espe­cial­ly amper­sand fans) to vis­it Amper​Art​.com. Once they sub­scribe, they will receive Amper­Art #3, Black & White, as well as the pre­mière edi­tion, Amper­Art #1, Art & Design, to start their own collection.


listen up!Back is a col­or! Not the absence of col­or, nor the com­bi­na­tion of all col­ors. It is col­or. So is white. So why do peo­ple say it’s all the col­ors or no col­or? Because they don’t know the def­i­n­i­tion of col­or. “Col­or” means the descrip­tion of the hue, val­ue & tone. Pure yel­low is a col­or that has a hue some­where between orange & green on the col­or wheel, a very light val­ue (high-​key, or very bright com­pared to very dark such as navy blue), & min­i­mal tone (gray­ish­ness; mauve & sage green have medi­um tone).

The col­or black is defined by no hue (red, yel­low, blue, etc.), the dark­est val­ue, & zero tone. White is defined by no hue, the light­est val­ue, & zero tone. So you see, black & white have no hue & no tone, but they are both colors.

If you want to have some fun with all the oth­er col­ors, check out the Cray­ola web­site, espe­cial­ly the his­to­ry & the Cray­ola Expe­ri­ence where kids (includ­ing big kids) get to play & cre­ate among all things Cray­ola, & see how they are made. If you can’t make it to the fac­to­ry in Eas­t­on, Penn­syl­va­nia, watch this video: How Cray­olas Are Made.

I love Cray­olas. (I won’t use any oth­er brand; the col­ors aren’t as pure, they’re waxy & they just aren’t Cray­ola.) I remem­ber when the box of 64 pre­miered, with the awe­some Built-​In Sharp­en­er. I prob­a­bly have the few stubs that are left of my orig­i­nal set some­where, but today I have The Ulti­mate Cray­ola Col­lec­tion — 152 dif­fer­ent col­ors! — on my desk. I use them fre­quent­ly, & always to sign impor­tant legal doc­u­ments. For that task, of course, it’s Cray­ola Blue Green.


PRODUCTION NOTES FOR #3 BLACK & WHITE:
Original size: 10×15 inches
Program: Photoshop (I have no idea why I didn’t create this one in Illustrator)
Fonts: Kabel, Broadway
Ampersand: Broadway, modified